• Nick Cave Full Discography Torrent Online

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The official video for 'Jesus Alone', taken from new album, 'Skeleton Tree', and feature film, 'One More Time With Feeling'. Follow Nick Cave & The Bad Seeds. This is a comprehensive discography of Nick Cave and the Bad Seeds, an Australian rock band with multinational personnel. As of December 2008, they have released 14 studio albums, 29 singles and three live albums.

The latest batch of Mute's deluxe reissues shows that the 1990s were very good to Nick Cave and the Bad Seeds.

The 1990s were very good to Nick Cave and the Bad Seeds. Crack win 7 ultimate chew wga download. Where the previous decade saw Cave successfully transition out of the Birthday Party's combustible punk toward a more urbane, theatrical brand of rock, the 90s elevated him to the realm of archetype and institution. He successfully party-crashed Hollywood and 'Top of the Pops', all while the college-radio charts filled up with emergent artists-- PJ Harvey, Tindersticks, Afghan Whigs-- cut from the Bad Seeds' black-velvet cloth.

The Bad Seeds' mid-90s pinnacle forms the basis of the latest round of Mute's excellent reissue series, which include vividly remastered versions of the original albums, along with a 5.1 surround sound mix, B-sides, official videos, and the latest installments of Iain Forsyth and Jane Pollard's illuminating fan-testimonial documentaries, Do You Love Me Like I Love You? The title of the film series is taken from the two-part song that opens and closes Let Love In, an authoritative show of force that was perfectly timed for the Bad Seeds' insurrectionary appearance on the 1994 Lollapalooza tour. The Bad Seeds had always traded in high drama and dissonance, but never before had they sounded this imposingly heavy-- the lecherous intimations of 'Do You Love Me?' explode into a torrent of chain-gang vocals and drummer Thomas Wydler's machine-gunned snare rolls, while 'Loverman' triggers its quiet-to-loud eruptions so masterfully, Metallica would later cover the song to the surprise of no one.

But amid Let Love In's ballast, you can hear Cave's increased adeptness at exploring his fascinations using sly, pitch-black humor instead of transgressive shock tactics. 'Red Right Hand'-- the future theme song of the Scream film franchise-- sets its serial-killer narrative to a seductive swampy groove, and the beautiful piano ballad 'Nobody's Baby Now' is a work of such wry, understated elegance, Cave originally thought of giving it to Johnny Cash.

As Let Love In's signature tracks proved, Cave's love songs could easily turn into death songs, so it was inevitable that he'd devote an entire album to exploring that symbiotic relationship. Murder Ballads has a title so obvious and self-defining, it's amazing that it took the Bad Seeds nine albums to use it. And the last thing you could accuse Cave of is false advertising: Dozens of characters lose their lives over the course of the album, which updates infamous folk tales like 'Stagger Lee' with enough profanity and gratuitous violence to satisfy the bloodlusty standards of the post-gangsta rap/Quentin Tarantino era.

But the Bad Seeds' most lyrically depraved record is also their most musically ornate and accessible, with the band expanding to accommodate Dirty Three violinist Warren Ellis and former Cramps/Sonic Youth stickman Jim Sclavunos (as second percussionist), plus a pair of smoldering duets with PJ Harvey ('Henry Lee') and Kylie Minogue (the unlikely MTV hit 'Where the Wild Roses Grow'). In fact, with its densely detailed storylines, heart-racing epics ('Song of Joy', 'The Curse of Millhaven') and cheeky curtain-closing cover of Bob Dylan's born-again anthem 'Death Is Not the End', it's hard not to imagine Murder Ballads as some perverse, alternate-universe West End musical production. But look past its comically over-the-top presentation and you realize Cave isn't simply indulging in some subversive genre exercise. He was examining the very idea of poetic license, pushing the limits of what an artist can get away with in a song when writing in character.

The Boatman's Call is Cave's plea for redemption, an album every bit as dignified as its predecessor is deranged. After spending much of his career spinning yarns out of other people's misery, Cave-- emerging from a divorce and a highly publicized but short-lived affair with PJ Harvey-- comes clean about his own. On the stirring piano-based hymns 'Into My Arms' and 'There Is a Kingdom', he looks to religion less as a convenient dramatic device and more as the genuine refuge for the lonely soul. Cave had flirted with tender balladry many times before, but whereas previous turns like 'Straight to You' and 'The Ship Song' were shot through the Bad Seeds' widescreen lens, here, the atmosphere is so spare and intimate, you feel like you're curled up inside Cave's piano. More than any other album in this batch of reissues, The Boatman's Call is greatly enriched by a remaster that amplifies the magnitude of Cave's loneliness, from the burning-ember ambience of 'Lime Tree Arbour' to Ellis' trembling violin lines on the absolutely devastating 'Far From Me'. But even though The Boatman's Call is Cave's most confessional, open-hearted album, its sense of sorrow and catharsis transcends a strictly personal interpretation. It speak volumes about the album's universality that its songs have soundtracked everything from Michael Hutchence's funeral to Shrek 2. Underworld evolution full movie 123.

Following that triumphant triptych, it would be another four years before Cave reemerged with a new album, during which he finally kicked his recurring, 15-year heroin addiction once and for all. Not surprisingly, No More Shall We Part carries the tentative air of an artist and band trying to reconnect with their muse, and with one another. No More feels more like a transitory album than a definitive statement, one that showcases the increasingly crucial role of Ellis' mournful violin-playing to the band's sound, but perhaps at the expense of founding members Blixa Bargeld (who would leave the band in 2003), and Mick Harvey (who would follow suit in 2009). Tellingly, Bargeld and Harvey are nowhere to be seen in the No More set's accompanying installment of Do You Love Me, after making prominent appearances in each of the series' previous episodes.

But amid its stately sprawl and gorgeous guest vocals from folk legends Kate and Anna McGarrigle, No More Shall We Part effectively points the way from the desolate, piano-bar introspection of The Boatman's Call toward the swagger, bombast, and cutting humor that would define the Bad Seeds' output throughout the rest of the coming decade. Following No More's release, Cave would switch labels to Anti- and, with 2003's Nocturama, ignite a more raucous, raw-powered phase of his career that's currently manifested itself in the Bad Seeds' hellacious alter-ego act, Grinderman. But if No More Shall We Part seems less distinguished next to Cave's mid-90s streak and his reinvigorated Anti- output, it represents an important turning point in the Bad Seeds discography. At the onset of the 2000s, Cave had essentially completed the transformation from being an artist who would soundtrack your funeral into one who could provide the first-dance song at your wedding; No More Shall We Part marks that pivotal moment where Cave regains the sensation in his red right hand.

The Best of Nick Cave and the Bad Seeds is a compilation album by Australian alternative rock band Nick Cave and the Bad Seeds, released on 11 May 1998.

Cave asked each of the Bad Seeds, past and present, to choose their favourite tracks from the ten albums—their lists would then be discussed until a final list was produced. Only guitarist and founding Bad Seed Mick Harvey responded, and it is his listing, unchanged, that makes up The Best Of.

As of 2001 the album has sold 500,000 copies worldwide. ^[5]

Nick Cave Full Discography Torrent Online

• 3Musicians

Track listing[edit]

1. 'Deanna' – 3:36
2. 'Red Right Hand' – 4:48
3. 'Straight to You' – 4:35
4. 'Tupelo' – 5:12
5. 'Nobody's Baby Now' – 3:53
6. 'Stranger Than Kindness' – 4:42
7. 'Into My Arms' – 4:14
8. '(Are You) The One That I've Been Waiting For?' – 4:06
9. 'The Carny' – 8:01
10. 'Do You Love Me?' – 4:37
11. 'The Mercy Seat' – 5:08
12. 'Henry Lee' (featuring PJ Harvey) – 3:56
13. 'The Weeping Song' – 4:20
14. 'The Ship Song' – 4:42
15. 'Where the Wild Roses Grow' (featuring Kylie Minogue) – 3:57
16. 'From Her to Eternity' – 5:32

• Track 16 is taken from the 1984 album From Her to Eternity.
• Track 4 is taken from the 1985 album The Firstborn Is Dead.
• Tracks 6 and 9 are taken from the 1986 album Your Funeral.. My Trial.
• Tracks 1 and 11 are taken from the 1988 album Tender Prey.
• Tracks 13 and 14 are taken from the 1990 album The Good Son.
• Track 3 is taken from the 1992 album Henry's Dream.
• Tracks 2, 5 and 10 are taken from the 1994 album Let Love In.
• Tracks 12 and 15 are taken from the 1996 album Murder Ballads.
• Tracks 7 and 8 are taken from the 1997 album The Boatman's Call.

NOTE: Tracks 2, 4, 10, 11 and 14 are the edited single versions (but are not listed as edits in the liner notes).

Special edition[edit]

The album was also released as a special edition with a live bonus disc, titled 'Live at the Royal Albert Hall', recorded on 19 and 20 May 1997. This bonus CD was subsequently released in 2008 as a regular disk, with four additional tracks and without 'The Weeping Song'.

1. 'Lime Tree Arbour' – 3:42
2. 'Stranger Than Kindness' – 5:02
3. 'Red Right Hand' – 5:18
4. 'I Let Love In' – 4:12
5. 'Brompton Oratory' – 3:47
6. 'Henry Lee' – 4:00
7. 'The Weeping Song' – 4:38
8. 'The Ship Song' – 4:12
9. 'Where the Wild Roses Grow' – 4:01

Musicians[edit]

• Nick Cave – Vocals, Hammond, Organ, Oscillator, Piano, Harmonica, Backing Vocals, String Arrangement
• Blixa Bargeld – Guitar, 'Boss Bellini', Backing Vocals, Slide Guitar, 'Father' Vocal (on 'The Weeping Song')
• Mick Harvey – Drums, Bass, Acoustic Guitar, Guitar, Shaker, Bell, Rhythm Guitar, Extra Piano, Hammond, Bass Guitar, Bass Organ, Backing Vocals, Piano, Xylophone, Glockenspiel, Loops, Vibraphone, Percussion, String Arrangement
• Kid Congo Powers – Guitar
• Martyn P. Casey – Bass, Backing Vocals
• Thomas Wydler – Drums, Timpani, Fish, Backing Vocals, Percussion
• Conway Savage – Piano, Backing Vocals
• Barry Adamson – Drums, Hammond, Backing Vocals, Bass
• Jim Sclavunos – Drums, Bells
• Tex Perkins – Backing Vocals
• Rowland S. Howard – Backing Vocals
• Roland Wolf – Guitar
• Gini Ball – Strings
• Audrey Riley – Strings
• Chris Tombling – Strings
• PJ Harvey – Vocals
• Kylie Minogue – Vocals
• Jen Anderson – Strings
• Sue Simpson – Strings
• Kerran Coulter – Strings
• Helen Mountfort – Strings
• Hugo Race – Guitar

Certifications[edit]

References[edit]

1. ^Erlewine, Stephen Thomas. 'The Best of Nick Cave and The Bad Seeds – Nick Cave and The Bad Seeds'. Allmusic. Rovi Corporation. Retrieved 28 March 2012.
2. ^Schreiber, Ryan (1 June 1998). 'Nick Cave – The Best of Nick Cave and The Bad Seeds'. Pitchfork Media. Archived from the original on 9 September 2006. Retrieved 28 March 2012.
3. ^Christgau, Robert. 'CG: Nick Cave & the Bad Seeds'. RobertChristgau.com. Retrieved 27 February 2013.
4. ^Brackett, Nathan; Hoard, Christian (2004). 'Nick Cave and the Bad Seeds'. The New Rolling Stone Album Guide (Completely revised and updated 4th ed.). New York: Fireside. p. 151.
5. ^https://www.billboard.com/articles/news/78737/nick-cave-the-bad-seeds-return-with-new-look-at-old-themes
6. ^'ARIA Charts – Accreditations – 1998 Albums'. Australian Recording Industry Association.
7. ^'British album certifications – Nick Cave and the Bad Seeds – The Best of Nick Cave and The Bad Seeds'. British Phonographic Industry.Select albums in the Format field.Select Gold in the Certification field.Type The Best of Nick Cave and The Bad Seeds in the 'Search BPI Awards' field and then press Enter.

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